Table of content
01 Foundations of a vision
02 Nature as a guide for architecture
03 Design in context of today
04 Quality over quantity
05 Exploring Paris
06 A visit to BRAFA art fair
07 Inspiring buildings in Barcelona - coming soon
08 Barcelona, where to eat - coming soon
09 Sacred spaces - coming soon
10 Wellbeing and the role of architects - coming soon
04 Quality over quantity
05 Exploring Paris
06 A visit to BRAFA art fair
07 Inspiring buildings in Barcelona - coming soon
08 Barcelona, where to eat - coming soon
09 Sacred spaces - coming soon
10 Wellbeing and the role of architects - coming soon
Chapter 00
From Antwerp to Barcelona
During a trip to Barcelona, following an intense period of completing an important project in Antwerp, Belgium, I visited the Jardines de Mossèn in Montjuïc. Sitting there, I found myself imagining what it would be like to live in this city. Whenever I travel, I like to take small moments to reflect, and take time to feel the atmosphere of a place.
After returning home to my daily routine, I couldn’t stop thinking about my thought about moving to Barcelona. So, I started to reach out to almost every architecture studio that exists in Barcelona, with my number one on the list: Studio Andrew Trotter.
There are moments in life when everything seems to align—when opportunities unfold, and the people around you genuinely believe in you. I felt deeply grateful and supported during that time, surrounded by encouragement from friends, family, and colleagues. It was the perfect moment to grow, to take a leap, and to embrace the next chapter of my journey.
Working in this international studio in Barcelona, with projects worldwide, learned me how to face new challenges. The use of different materials, and seeing how projects are managed, working with people from various cultures and backgrounds, in different languages. Being able to travel for work and absorbing like a sponge.
A few years after settling in Barcelona, a new feeling began to emerge. I started receiving requests to design plans, images, and layouts, and share my vision for spaces. Projects began to find their way to me, both in Belgium and Spain. Even though I was still adjusting to my new life, it felt as though a greater force was guiding me toward the next step, urging me to embark on a new adventure into the unknown.
Chapter 01
Foundations of a vision
I decided to take the leap and embrace whatever opportunities came my way. During the years working on various projects I started to created a holistic view on architecture and life. Outlining the key elements that make my work unique—a vision that continues to evolve every day.
- Nature: every architectural change is an intervention. Where there is now a building, there once was nature. I approach each project with this principle in mind, always building or renovating with the utmost respect for the environment and the natural surroundings.
- Authenticity: I focus on creating bespoke, custom-designed spaces that truly reflect the people who live in or use them.
- Timeless: the use of natural, honest, and durable materials: In a world driven by trends, my designs are both contemporary and timeless. Each space is made to last.
Chapter 02
Nature as a guide for architecture
I find my deepest inspiration in nature. It offers a refuge from the city's vibrant chaos, a place to disconnect and rediscover myself. Weekends wandering through serene forests, I am reminded of the contrasts in our world, where simplicity and stillness coexist with life’s relentless pace.
In today's world, the East is embracing Western influences, while the West is increasingly drawn to Eastern traditions. As yoga, meditation, and mindfulness become integral to our daily lives, our architectural spaces should evolve into sanctuaries of peace and serenity, harmonizing with this shift.
A holistic vision in design means seeing beyond fleeting trends and embracing timelessness. In a world where styles come and go, architecture should prioritize enduring materials—wood, natural stone, and lime plaster—elements that age gracefully and tell a story over time. These materials breathe, evolve, and gain character, creating spaces that feel both grounded and alive.
Traditions and craftsmanship hold immense value, yet timeless design is not about recreating the past. Instead, it emerges from a thoughtful balance between heritage and innovation, respecting what exists while embracing new ideas.
Nature offers a blueprint for sustainability, where simplicity and authenticity go hand in hand. Thoughtful design considers functionality, aesthetics, and durability in equal measure, avoiding excess and giving materials a second life. Respect—for materials, the environment, and the people who inhabit a space—results in architecture that is not only beautiful but also lasting, evolving in harmony with time.
Chapter 03
Design in the context of today
Homes have evolved beyond mere shelter; they have become deeply personal spaces of comfort and retreat. Globalization has broadened access to international architecture and diverse cultural influences, yet this interconnectedness comes at a cost. Local styles, materials, and traditions are fading, and cities around the world are beginning to look increasingly alike. At the same time, mobility has become a defining aspect of modern life. As people relocate to places that align with their aspirations, the need for flexible, adaptable architectural designs has grown.
Sustainability extends far beyond technology or isolated green features. True sustainable architecture is about working in harmony with nature and the surrounding context. It prioritizes materials, aesthetics, and functionality that stand the test of time, creating spaces that remain relevant for generations. Whenever possible, local materials and craftsmanship offer a thoughtful alternative to mass-imported resources, reducing environmental impact while preserving regional heritage and supporting local economies.
This raises important questions about the role of architecture today. How can local resources—materials, artisans, and design traditions—be better integrated to create meaningful, context-aware spaces? How can buildings balance flexibility with longevity, adapting to change while remaining timeless? How can architecture foster a stronger connection to nature, working with rather than against the environment? And how can design encourage a more conscious and sustainable way of living?
Architecture shapes not just physical spaces but also mindsets and lifestyles. By focusing on sustainability, adaptability, and a deep respect for local and natural contexts, design can create environments that inspire, endure, and contribute to a more thoughtful way of living.
Chapter 04
Quality over quantity
In a world where trends come and go in the blink of an eye, the notion of "quality over quantity" has never been more relevant. I recently came across a quote that deeply resonated with me: "Things of quality have no fear of time." This simple yet profound idea encapsulates the philosophy that guides my work as an interior architect—a commitment to creating designs that endure, both functionally and aesthetically.
It’s about crafting spaces and objects that retain their relevance and beauty over decades. Timelessness requires a deep respect for the existing qualities of a space, an understanding of its history, and the careful integration of materials and forms that harmonize with their surroundings.
When we prioritize quality, we create with intention. We focus on materials that age gracefully, on craftsmanship that tells a story, and on designs that adapt to the lives of those who inhabit them. A well-designed space or object becomes more than just functional; it becomes a part of someone’s life, a backdrop for their memories.
One of the cornerstones of my approach is the use of natural and sustainable materials. These materials—wood, stone, metal, and textiles—are not only beautiful but also durable. They age with grace, developing a patina that adds character and depth over time. In contrast, cheaply made or synthetic materials often deteriorate quickly, leaving behind waste and disappointment.
True craftsmanship goes hand in hand with quality materials. Working with skilled artisans ensures that every detail of a project is thoughtfully executed. This level of care and expertise is what gives a design its soul. It’s the reason why a hand-carved wooden table or a meticulously crafted stone floor can become cherished heirlooms.
Designs that prioritize quality over quantity are not just built to last physically; they are emotionally enduring as well. Spaces and objects that are designed with care and integrity foster a sense of connection and belonging. They transcend passing fads and remain relevant as tastes evolve.
For me, this means starting every project with a respect for what already exists—the architecture, the environment, and the story of the space. From there, I work to enhance these qualities, creating something that feels both contemporary and timeless. My goal is always to design with longevity in mind, ensuring that the results are as functional and beautiful decades from now as they are today.
In today’s fast-paced world, the temptation to prioritize quantity over quality is everywhere. Mass production and disposable goods may offer convenience, but they come at a cost—to the environment, to our wallets, and to our sense of fulfillment. Choosing quality is a form of resistance. It’s a way to value craftsmanship, to invest in sustainability, and to honor the enduring beauty of well-made things.
The quote, "Things of quality have no fear of time," is a reminder that the things we create and surround ourselves with should be built to stand the test of time. Whether it’s a piece of furniture, a home, or a moment of connection, quality is what gives life meaning and depth.
By embracing quality over quantity, we can create designs that are not only timeless but also deeply meaningful. And in doing so, we contribute to a more sustainable and beautiful world—one where the things we make and cherish have no fear of time.
Paris is not just a city to me; it’s a constant source of fascination. Every time I visit, I uncover new places, stories, and sources of inspiration that fuel my creativity. The unique mix of art, culture, design, and authenticity makes Paris an endless well of ideas for my work as an interior architect.
One of my favorite museums is the Musée Picasso, housed in a beautifully restored hôtel particulier in Le Marais. Its dynamic interplay between the artworks and the space itself always sparks fresh ideas. Another must-visit is the Atelier Brancusi, the reconstructed studio of sculptor Constantin Brancusi near the Centre Pompidou. Its minimalist simplicity is a reminder of the power of reduction in design. For a more contemporary experience, I love the Bourse de Commerce—a stunning blend of old and new architecture by Tadao Ando, which perfectly illustrates how to innovate while respecting history.
On quieter days, I find peace in the Musée de l’Orangerie, where Monet’s water lilies are both calming and monumental, or at the Musée Guimet, a hidden gem showcasing exquisite Asian art. Each of these spaces offers something unique, from intricate details to grand, immersive experiences.
Walking through Place des Vosges in Le Marais is always a moment of serenity. This elegant square, steeped in history, is one of the most beautiful places to pause and soak in the atmosphere of the city. When I stay in Paris, I often choose Hotel Amour or Hotel Le Pigalle, both of which are more than just hotels. Their design, atmosphere, and attention to detail make them experiences in themselves. Another favorite is Ogata, a Japanese concept store in Le Marais where design, gastronomy, and culture come together seamlessly.
Paris wouldn’t be Paris without its culinary gems. My go-to spot for cocktails is Café Hugo, tucked away near Place des Vosges. It’s the perfect place for an aperitif in a relaxed yet refined setting as well as Bambino, for excellent natural wines and live vinyl music. For coffee, Fragments Café is a hidden treasure where I often stop to reflect in between exploring the city. Café Charlot, a classic Parisian brasserie in Le Marais, is another favorite of mine—perfect for breakfast or a leisurely afternoon coffee while people-watching. For dinner, I adore Carboni’s, an intimate Italian restaurant with a refined yet cozy atmosphere and an exceptional menu. On special occasions, a meal at Septime is unforgettable—difficult to reserve but worth every effort.
The streets of Le Marais are a never-ending source of inspiration, with their eclectic mix of concept stores, small boutiques, and unique galleries. For a moment of quiet reflection, I sometimes visit Père Lachaise Cemetery, a surprisingly inspiring space filled with history and beauty. The Palais Royal, with its lush gardens and the striking black-and-white columns of Daniel Buren, is another peaceful haven amidst the city’s energy.
Every visit to Paris feels like a new chapter, filled with unexpected inspiration and encounters. It’s a city that continues to show me how art, design, history, and innovation can exist together in harmony. Whether it’s your first time or your tenth, Paris always has something new to offer
Chapter 06
A visit to BRAFA art fair
Last week, I had the pleasure of visiting BRAFA Art Fair, one of Europe's most prestigious art fairs, held annually in Brussels. Known for its refined curation and eclectic mix of historical and contemporary art, BRAFA never fails to inspire. This year, I focused on a few standout galleries and artists that left a lasting impression on me.
A visit to Axel Vervoordt’s stand is always a highlight. His ability to curate spaces that transcend time and trend is unparalleled. This year, I was particularly drawn to the works of Jef Verheyen, Atelier Pierre Culot, and Günther Uecker. Verheyen’s minimalist, light-infused paintings evoked a sense of quiet contemplation, while Atelier Pierre Culot’s sculptural ceramics grounded the space with their raw, earthy textures. Günther Uecker’s nail-relief works, with their meticulous and rhythmic compositions, added a tactile and almost meditative dimension to the display. Vervoordt’s stand once again proved his mastery in bringing together different artistic voices into a cohesive, harmonious environment.
Samuel Vanhoegaerden Gallery presented an impressive selection of works by Hans Hartung, James Ensor, and Christian Dotremont. The contrast between Hartung’s gestural abstractions and Ensor’s eerie, surreal imagery was striking. Dotremont’s calligraphic works, blending poetry and painting, added an intriguing intellectual layer to the presentation. This gallery’s selection was a true homage to modern art’s diversity and evolution.
As someone living in Barcelona, I was excited to see two galleries from my city represented at BRAFA. Montagut, known for its expertise in tribal and ethnographic art, offered a compelling collection that highlighted the timeless beauty of indigenous craftsmanship. Jordi Pascual Gallery, on the other hand, focused on modern and contemporary Spanish masters, presenting a refined selection that seamlessly blended tradition with innovation.
Beyond the institutional and commercial aspects of the fair, art is also about personal connections. One of the most inspiring artists I follow is my friend and colleague, Marius Melissas. He and I shared a chapter in Barcelona, where he pursued his studies in sustainable materials. His dedication to creating artworks using bio pigments and natural elements is truly remarkable. Seeing how artists like Marius push boundaries and integrate sustainability into their practice makes me hopeful for the future of contemporary art.
BRAFA 2025 was a testament to the enduring power of art across different mediums, styles, and periods. From the timeless curation of Axel Vervoordt to the modernist selections of Samuel Vanhoegaerden and the vibrant presence of Barcelona’s galleries, the fair was a celebration of artistic excellence. Most importantly, it was a reminder that art is a continuous dialogue—between past and present, between artists and viewers, and between ideas and materials.
